“The Castro-ation of Fidel or Black Hole Tripping” (2015) unfolds like a fever-dream collage — part political poster, part roadside prophecy, part cosmic joke. Faces, slogans, and fragments of printed memory collide inside the frame as if narrated through the wandering voice of a late-night Bob Dylan lyric. History, myth, and satire drift together in a surreal current where the story never quite lands in one place.

In its second movement, the piece turns toward the strange comedy of power. Icons overlap, warnings shout, and the black hole becomes both destination and mood — a gravitational pull toward spectacle, illusion, and authority unraveling in real time. Sealed beneath a glossy surface, the work feels preserved like an artifact from a future archive — chaotic, prophetic, and darkly humorous all at once.